Friday, September 9, 2011

Rock-Forming Minerals, Vol. 4B: Framework Silicates

Rock-Forming Minerals, Vol. 4B: Framework Silicates Review


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Rock-Forming Minerals, Vol. 4B: Framework Silicates Feature

This major revision takes place 40 years after publication of the first edition, and deals with feldspathoids, silica minerals and zeolites. The text has been completely re-written and very much expanded, incorporating the advances in knowledge and understanding arising from the new and improved techniques for the study of minerals that have developed.

Each chapter is headed by a brief tabulation of mineral data and sketches showing optical orientation, and ends with full references. Diagrams of crystal structures are presented and followed by discussion of the structural features, making use of data from various spectroscopic as well as diffraction methods. The chemical sections include many analyses from which structural formulae have been calculated.

This book is a standard reference work for professionals in mineralogy, petrology and geochemistry, as well as having a wide appeal as a reference work for postgraduate research students and research workers in these and related fields.

Also available:

Rock Forming Minerals 3B: Layered Silicates Excluding Micas and Clay Minerals - ISBN 1862392595
Framework Silicates: Feldspars (Rock-Forming Minerals) - ISBN 1862390819

The Geological Society of London

Founded in 1807, the Geological Society of London is the oldest geological society in the world, and one of the largest publishers in the Earth sciences.

The Society publishes a wide range of high-quality peer-reviewed titles for academics and professionals working in the geosciences, and enjoys an enviable international reputation for the quality of its work.

The many areas in which we publish in include:

-Petroleum geology
-Tectonics, structural geology and geodynamics
-Stratigraphy, sedimentology and paleontology
-Volcanology, magmatic studies and geochemistry
-Remote sensing
-History of geology
-Regional geology guides


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Wednesday, September 7, 2011

Citizen, Invert, Queer: Lesbianism and War in Early Twentieth-Century Britain

Citizen, Invert, Queer: Lesbianism and War in Early Twentieth-Century Britain Review


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Citizen, Invert, Queer: Lesbianism and War in Early Twentieth-Century Britain Feature

In late nineteenth-century England, “mannish” women were considered socially deviant but not homosexual. A half-century later, such masculinity equaled lesbianism in the public imagination. How did this shift occur? Citizen, Invert, Queer illustrates that the equation of female masculinity with female homosexuality is a relatively recent phenomenon, a result of changes in national and racial as well as sexual discourses in early twentieth-century public culture.


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Tuesday, September 6, 2011

Exercises in Elementary Counterpoint (Classic Reprint)

Exercises in Elementary Counterpoint (Classic Reprint) Review


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Exercises in Elementary Counterpoint (Classic Reprint) Feature

EXERCISES IN ELEMENTARY COUNTERPOINT INTRODUCTION. Music, theoretically considered, consists altogethe'( of LINES OF TONE. It more nearly resembles a picture, or an architectural drawing. than any other art-creation; the difference being that in the drawing the lines are visible and constant, while in music they are audible and ir motion. The separate tones are the points through which the lines arc drawn; and the impression which is intended, and which is apprehended by the intelligent listener, is not that of single tones, but of continuous Lines of tones, describing movel'nents, curves and angles, rising, falling. poising, - directly analogous to the linear impressions conveyed by a picture or drawing. The popular name for such a tone-line is "Melody." As several tone-lines are usually being traced simultaneously, it follows that several corresponding melodies may, and generaJly do, appear together. The term Melody, however, is applied specifically to the principa

Table of Contents

TABLE OF CONTENTS; PAGE; INTRODUCTION I; Chapter I THE SINGLE MElODIC LINE, STEPWISE PROGRESSIONS AND NARROW; LEAPS 5; Exercise I 7; Chapter II WIDER LEAPS 8; Exercise 2 I I; Chapter III EXCEPTIONAL PROGRESSIONS, AND THE MINOR MODE I I; Exercise 3 15; Chapter IV THE ASSOCIATION OF Two MELODIC LINES CORRESPONDING; RHYTHM FUNDAMENTAL INTERVALS MAJOR MODE IS; Exercise 4; Chapter V FUNDAMENTAL INTERVALS, MINOR MODE; Exercise 5; Chapter VI EXCEPTIONAL INTERVALS; ExerC1'e 6; Chapter VII RHYTHMIC DIVERSITY Two NOTES TO EACH BEAT; Exercise 7; Chapter VIII MODULATIONS; Exercise 8; Chapter IX THREE NOTES TO EACH BEAT; Exercise 9; Chapter X SYNCOPATION, OR SHIFTED RHYTHM TIES Two AND THREE; 20; 37; 41; NOTES TO EACH BEAT 47; Exercise 10; Chapter XI THE TIE, CONTINUED RESTS; Exercise II; Chapter XII FOUR NOTES TO EACH BEAT; Exercise 12; Chapter XIII FOUR NOTES TO EACH BEAT, AS AMPLIFIED FORMS; Exercise 13; 50; Sf; 56; 57; 62; ~ABLE OF CONTE


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Monday, September 5, 2011

Logic: Part 1. Deduction

Logic: Part 1. Deduction Review


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Logic: Part 1. Deduction Feature

This Elibron Classics book is a reprint of a 1870 edition by Longmans, Green, Reader, & Dyer, London. 2nd edition.


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Sunday, September 4, 2011

Geophysical Applications of Artificial Neural Networks and Fuzzy Logic (Modern Approaches in Geophysics)

Geophysical Applications of Artificial Neural Networks and Fuzzy Logic (Modern Approaches in Geophysics) Review


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Geophysical Applications of Artificial Neural Networks and Fuzzy Logic (Modern Approaches in Geophysics) Feature

This book is the first major text to encompass the wide diversity of geophysical applications of artificial neural networks (ANNs) and fuzzy logic (FZ). Each chapter, written by internationally-renowned experts in their field, represents a specific geophysical application, ranging from first-break picking and trace editing encountered in seismic exploration, through well-log lithology determination, to electromagnetic exploration and earthquake seismology. The book offers a well-balanced division of contributions from industry and academia, and includes a comprehensive, up-to-date bibliography covering all major publications in geophysical applications of ANNs and FZ. A special feature of this volume is the preface written by Professor Fred Aminzadeh, eminent authority in the field of artificial intelligence and geophysics. The enclosed CD-ROM contains full colour figures and searchable files, as well as short biographies of the editors.


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Friday, September 2, 2011

Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents

Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents Review


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Harmonic Function in Chromatic Music: A Renewed Dualist Theory and an Account of Its Precedents Feature

The highly chromatic music of the late 1800s and early 1900s includes some of the best-known works by Gustav Mahler, Richard Strauss, Cesar Franck, and Hugo Wolf. Yet until now, the harmonic complexity of this repertory has resisted the analytic techniques available to music theorists and historians. In this book, Daniel Harrison builds on nineteenth-century music theory to provide an original and illuminating method for analyzing chromatic music.

One of Harrison's central innovations is his reconstruction of the notion of harmony. Harrison understands harmonic power to flow not from chords as such but from the constituents of chords, reckoned for the most part as scale degrees of a key. This insight proves especially useful in analyzing the unusual progressions and key relations that characterize chromatic music.

Complementing the theoretical ideas is a critical history of nineteenth-century German harmonic theory in which Harrison traces the development of Hugo Riemann's ideas on dualism and harmonic function and examines aspects of Riemannian theory in the work of later theorists. Combining theoretical innovations with a sound historical understanding of those innovations, Harmonic Function in Chromatic Music will aid anyone studying this pivotal period of Western music history.


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Thursday, September 1, 2011

Comparative Genomics: International Workshop, RECOMB-CG 2010, Ottawa, Canada, October 9-11, 2010, Proceedings (Lecture Notes in Computer Science / Lecture Notes in Bioinformatics)

Comparative Genomics: International Workshop, RECOMB-CG 2010, Ottawa, Canada, October 9-11, 2010, Proceedings (Lecture Notes in Computer Science / Lecture Notes in Bioinformatics) Review


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Comparative Genomics: International Workshop, RECOMB-CG 2010, Ottawa, Canada, October 9-11, 2010, Proceedings (Lecture Notes in Computer Science / Lecture Notes in Bioinformatics) Feature

This book constitutes the proceedings of the 8th RECOMB International Satellite Workshop on Comparative Genomics, RECOMB-CG 2010, Ottawa, Canada, in October 2010. This workshop is devoted to bringing together scientists working on all aspects of comparative genomics, from computer scientists, mathematicians and statisticians working on novel computational approaches for genome analysis and comparison, to biologists applying these computational tools to study the structure and the evolution of prokaryotic and eukaryotic genomes. The 24 papers presented were carefully reviewed and selected from 35 submissions. The papers enrich the combinatorics of genome rearrangements, while gene order phylogenies are getting more and more accurate, thanks to a mixing of combinatorial and statistical principles, associated with rapid and thoughtful heuristics. Several papers tend to refine the models of genome evolution, and more and more genomic events can be modelized, from single nucleotide substitutions in whole genome alignments to large structural mutations or horizontal gene transfers.


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